The Chichilticalli Trail Part III – The Expedition

Friday, July 17th, 2009

In my previous post I discussed the passage of Cabeza de Vaca, Marcos de Niza and Melchor Díaz, now let’s examine the passage of the main body of the expedition.

Itinerery

Coronado left the Valley of Hearts on or around May 31 (arrived on May 26, rested 4 days) and travelled the 80 leagues to Chichilticalli in 20 days, that means he averaged about 13.8 miles per day on this stretch. They rested for 2 days at Chichilticalli and began to cross the great despoblado on June 23, they crossed the Rio San Juan on Saint John’s Day June 24 and arrived at Cibola on July 7. On this last leg they made better time even though the terrain was rougher, 15.8 miles per day. (more…)

The Prehistoric Pottery Making Process

Tuesday, July 14th, 2009
The Prehistoric Pottery Making Process
Each pot is carefully crafted in the ancient tradition, no expense is spared to create a piece of artwork as timelessly beautiful as those that inspired it. Each pot produced requires hours of work collecting and processing raw materials, forming and smoothing the vessel, then decorating and finally firing.
Raw Materials
All of the materials in our pottery comes directly from the earth of Southern Arizona, clay and minerals are carefully selected and dug from various locations. Next the clay is soaked and purified while minerals are ground by hand on a metate and refined to a smooth powder to make authentic paint.
Forming
When the clay is the right consistency a small “pancake” is patted out and pushed into a “puki”, the form that will hold the bottom of the pot while the vessel is being formed. The sides of the vessel are formed by adding coils of clay and smoothing them together, then the walls are thinned and strengthened by either scraping or paddling depending on the pottery tradition being reproduced.
Decorating
A wide variety of minerals are used in decorating the pottery such as Hematite, Manganese, Chrisacola, Limonite, red, white, brown and buff clay slips, as well as mesquite sap and mesquite bean syrup. These are applied to the surface of the unfired pottery using soft cotton cloth and yucca leaf brushes. The clay slips are then polished using smooth river cobbles
Firing
When the pottery is finished and fully dried, it is stacked in a pit in the ground, then covered by broken pottery to protect it during the firing and fired using mesquite wood. This firing process results in pottery with a unique look and feel that can’t be achieved with kiln firing.

Each pot is carefully crafted in the ancient tradition, no expense is spared to create a piece of artwork as timelessly beautiful as those that inspired it. Each pot produced requires hours of work collecting and processing raw materials, forming and smoothing the vessel, then decorating and finally firing. (more…)

Palatkwapi: The Red Pueblo of the South

Tuesday, July 14th, 2009
Palatkwapi: The Red Pueblo of the South
While the Hopi have legends of “The Red City”; Palatkwapi, that was abandoned, and pueblo ruins can be found all across Southeast Arizona, no one knows exactly why this area was abandoned. The fact is that in 1400 this area contained many thriving pueblos that were vibrant with trade and craft production, representing several different local cultures, but by the time Coronado arrived here in 1540 it was all gone. Something happened and the Palatkwapi Pueblos were abandoned, their inhabitants moved on, no doubt many went to the north to live with the Hopi and Zuni as the legends relate, possibly some went to the south, but wherever they went, their way of life changed when they left here and the pottery types they had made for hundreds of years ceased to be made.
In prehistoric times Southern Arizona was a crossroads of many different cultures, Andy Ward represents several of them to some extent through his pottery. The cultures represented in Palatkwapi Revival pottery are:
Salado
Hohokam
Mogollon
Salado
Arriving in this area around 1300 from the north, the Salado lived in pueblo compounds, usually of adobe, and are famous for their fine polychrome potteries and weavings. Andy reproduces several varieties of Saladoan wares including Gila, Tonto and Tucson Polychromes.
Hohokam
Hohokam culture began to appear in this area around 100 AD and flourished here until around 1400 when it mysteriously disappeared. They were well known for their irrigation systems that were among the most elaborate in the world at that time. The pottery produced by the Hohokam was usually red on buff or red on brown and often including figures of lizards and birds. In the far Southern Arizona they made a unique type of pottery called Bobocomari Polychrome with red and black designs on white, mica flecked clay.
Mogollon
The Mogollon were some of the original inhabitants of this area and some of the first to produce pottery in the Southwest. The pottery they produced in Southeast Arizona was usually simple red on brown and some red on white, but their geometric designs are striking.
Palatkwapi revival pottery is true in every way to the legacy of these ancient cultures, it is among the most traditional of any southwest pottery being made today. All tools and materials used in the construction of the pottery are exactly like those used in prehistoric times.

While the Hopi have legends of “The Red City”; Palatkwapi, that was abandoned, and pueblo ruins can be found all across Southeast Arizona, no one knows exactly why this area was abandoned. The fact is that in 1400 this area contained many thriving pueblos that were vibrant with trade and craft production, representing several different local cultures, but by the time Coronado arrived here in 1540 it was all gone. Something happened and the Palatkwapi Pueblos were abandoned, their inhabitants moved on, no doubt many went to the north to live with the Hopi and Zuni as the legends relate, possibly some went to the south or east, but wherever they went, their way of life changed when they left here and the pottery types they had made for hundreds of years ceased to be made. (more…)

About Palatkwapi Pottery

Tuesday, July 14th, 2009

Ruins of long abandoned indian pueblos are found all across the deserts and mountains of Southeastern Arizona, their inhabitants mysteriously left over 500 years ago but their beautifully decorated pottery still speaks to us from across the centuries. The fame of these southern pueblos lives on in Indian lore today; the Hopi call this area Palatkwapi and say that some of their ancestors emigrated from here. The pottery left by these ancient pueblos is among the finest and most beautiful of prehistoric southwestern pottery, many excellent examples of their work grace museums and private collections around the world. (more…)

The Chichilticalli Trail Part II – The Pathfinders

Thursday, July 9th, 2009

Read part I here

While everyone likes to point out that Coronado was following established trade routes, it is not mentioned often enough who chose the route. The route Coronado followed was the same as that traversed by Fray Marcos de Niza the year before, and to a large extent, the same as that followed by Cabeza de Vaca. So by studying the accounts of these two journeys we can get a better understanding of Coronado’s path.

Álvar Núñez Cabeza de Vaca

I don’t even pretend to be a Cabeza de Vaca scholar, nor would I want to be, his journey is the only one I know of that is documented worse than Coronado’s. It seems like there are as many proposed routes for Cabeza de Vaca as there are scholars who have studied his journal. (more…)